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Manβs Ruin Records
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
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Manβs Ruin Records war ein amerikanisches Musiklabel, das von dem KΓΌnstler Frank Kozik gegrΓΌndet und von diesem zwischen 1994 und 2001 betrieben wurde. Es war in San Francisco im US-Bundesstaat Kalifornien ansΓ€ssig. Stilistisch bewegte sich die Bandbreite der VerΓΆffentlichungen faktisch im gesamten Spektrum der Rockmusik und umfasste TontrΓ€ger u. a. aus dem Southern, Hard, Sleaze und Stoner Rock, dem Stoner Doom, dem Doom und Heavy Metal sowie dem Punk.
Zu seinen Hochzeiten hatte das Label 15 Angestellte. Allerdings ΓΌberforderte schnelles Wachstum die MΓΆglichkeiten des Distributors und der Dotcom-Boom fΓΌhrte dazu, dass im Jahr 2000 der Mietvertrag fΓΌr den Firmensitz in der Bay Area gekΓΌndigt wurde. Aufgrund mehrere Monate ohne eigene RΓ€umlichkeiten kam die LabeltΓ€tigkeit zum Erliegen und Ende 2001 zum Stillstand. Die endgΓΌltige SchlieΓung des Labels erfolgte 2002.cite-ref-1[1]
Contents
β’ Weblinks
β’ Einzelnachweise
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
VerΓΆffentlichungen (Auswahl)
β’ Acid King β Busse Woods (1999)
β’ Acid King / The Mystick Krewe of Clearlight β Freeβ¦/The Father, the Son and the Holy Smoke (Split-EP, 2000)
β’ Alabama Thunderpussy β Rise Again (1998)
β’ Altamont β Civil War Fantasy (1998)
β’ Brant Bjork β Jalamanta (1999)
β’ Cavity β Supercollider (1998)
β’ Church of Misery β Murder Company (EP, 1999)
β’ Dale Crover β Drumb (EP, 196)
β’ Dwarves β Gentlemen Prefer Blondes (EP, 1995)
β’ Entombed β Black Juju (EP, 1999)
β’ Fu Manchu β Eatin' Dust (1999)
β’ Gaza Strippers β Laced Candy (2000)
β’ The Hellacopters β Supershitty to the Max! (1998)
β’ High on Fire β The Art of Self Defense (1999)
β’ Iron Monkey β We've Learned Nothing (1999)
β’ Killdozer β The Last Waltz (1999)
β’ Melvins β Electroretard (2001)
β’ Queens of the Stone Age / Beaver β The Split CD (Split-EP, 1998)
β’ Place of Skulls β Live! (2001)
β’ Turbonegro β Apocalypse Dudes (1999)
β’ Unida β Coping With the Urban Coyote (1999)
β’ Unsane β Amrep Christmas (1997)
β’ Zeke β Woo Pig Souie (7", 1997)
Weblinks
Einzelnachweise
cite-note-11. β Patrick Schober: Monster Riff: The Rise and Fall of Manβs Ruin Records: Empty Pleasures and Desperate Measures From 1994-2002, 25. Juli 2020; abgerufen am 10. September 2021.